|
LABoral Centro de Arte y Creación Industrial in Gijon (SP) cultivates the art of coming up with unexpected exhibitions. The moment you believe you can safely define it as 'center for new media art', they inaugurate 1. a show on experimental design and 2. an exhibition of projects that record or evoke a series of actual or imaginary journeys, either through the local landscape of Asturias, or through a comparably remote and mountainous terrain. I like that. I don't want new media art to be segregated in a cage, no matter how shiny and alluring this one might be. I might come back on the design exhibition later on but let's have a look at There is No Road (the road is made by walking).
Taking its cue from the famous lines of the poet Antonio Machado and the proximity of the Camino to Santiago , There is No Road calls forth intimate and long walks towards culturally significant locations or more daring and stray journeys towards the wilderness, the unknown, the challenging. There is No Road gives the public the opportunity to witness LABoral's role as a producer of art and culture as approximately half of the works by fourteen international artists featured in the exhibition have been commissioned by the art center itself. The exhibition is a tribute to the sublime majesty of Asturias's landscape and other mountain scenes. It transmits a sense of isolation, reflection and affinity with the untamed nature, it evokes a 'spirit of place' that no man has ever managed to tarnish. In doing so, the exhibition conjures the great Romantic tradition of landscape that emerged in the second half of the 18th century in Western Europe.
This Romantic viewpoint is both the strength and the weakness of There Is No Road. At a time when every artshow dedicated to nature offers an opportunity to comment on or simply survey the contemporary culture of mass tourism, the many bruises inflicted on the environment or the way it is recklessly exploited, this show quietly rises above such concerns. There is No Road is a refreshing but also unnerving case of Romanticism in the age of locative media and ecological drama. Sentiments prime over reason and while the absolute beauty of mountain landscape is splashed all over the screens, one can't help but marvel that the relationship between men and an almost Arcadian landscape can still be so picturesque. That being said, the selection of art works is extremely good. Here's just a couple of them: 0°00 Navigation documents Simon Faithfull's eventful, irresistibly tongue-in-cheek, and never deviated dérive along the line of the meridian through the East of England. Guided by a GPS device, the artist has to jump walls and fences, face cliffs, swim through icy waters in order to follow an absolutely straight trajectory.
Axel Antas' Structure for Birds were photographed in the Catalan Pyrenees. In this interventions within the landscape, the artist built delicate structures for birds on top of cliffs reaching into the sky. They look poetically absurd and fragile, lost in a landscape that seem endless and about to swallow them.
All images courtesy LABoral Centro de Arte y Creación Industrial . There is No Road (the road is made by walking) is curated by Steven Bode, Director of Film & Video Umbrella in London. It runs until March 16, 2009. |
|
On Sunday September 14, i had the great pleasure to host a panel on Cartography of Protest and Social Changes with 3 artists and activists i admire a lot: Brooke Singer, John Emerson and Lize Mogel. I usually avoid writing about the events i'm so closely involved in, either because i don't have the opportunity to take notes or because there's some video of it about to broadcast the ridiculousness of my accent on the world wide web.
When Christina Ray, the director of Conflux, asked me if i'd like to host a panel i said i'd like to moderate one inspired by An Atlas. Lize Mogel is one of the editors of the book (together with Alexis Bhagat ), Brooke Singer and John Emerson contributed to the volume with maps. Just like the book, the panel was an attempt to demonstrate that maps have the potential to bring about social changes. I am not going to write down everything that was say, i'll just share with you tiny bits from the presentations: Lize's presentation focused on the maps of An Atlas, you can find information about them online but her intro contained some fascinating facts. Here's just one of them: One of the world's most famous maps can be seen on the flag of the United Nations.
The first version was drawn in 1946 by someone from the US department and had North America at the center of the emblem. The design was changed after some complains from other countries. But one question remained: how do you design a map of the world that has to be fair and display equality between the nations? There is always something on the top, something in the middle (and thus the center of the attention), even being on the left side is not innocent as our eyes are used to read from left to right, the right is also meaningful as advertisers have discovered that the eyes always seem to fall on that side of an image. The solution adopted represents an azimuthal equidistant projection centered on the North Pole. But that area which one would believe is blank and neutral is in fact a space for debate: the area is owned by Denmark, Canada, Russia, Norway and the US and it's unclear how it should be divided up exactly.
An Atlas of Radical Cartography exhibition opens on September 23 at the Global Education Center, UNC campus. Upcoming venues for the exhibition include New Jersey (October), New York City, Utrecht (2009), etc. John Emerson has a very impressive portfolio and a blog i'd recommend anyone to subscribe to. He often collaborates with grass-root, independent, non-profit associations dealing with human rights, from California Coalition for Women Prisoners, to the Office of The Tibetan Government in Exile, or Injection Drug Use, Syringe Exchange Programs and AIDS in California. His belief is that maps can be useful tools that visualize power and are able to create social change, influence opinions and alter relationships between powers. By making abstraction visible, maps help us navigate through complex concepts.
One of the projects he highlighted are the compelling and revealing maps of Gold Trade in the Democratic Republic of Congo he created for the Human Rights Watch report The Curse of Gold. The gold trade is fueling conflicts and atrocities for the last 20 years in northeast of the Democratic Republic of Congo. The maps makes clearer the relationship between gold concessions, paramilitary groups in the country and gold companies from all over the world. The art crowd will probably have heard about a project he developed together with Trevor Paglen.
Paglen's project 'CIA Rendition Flights 2001-2006' explores the practice of extraordinary rendition. Emerson designed the map that visualizes the movements of aircraft owned or operated by known CIA front companies in order to reveal the relationships that have been forged between the United States and other countries in the name of the 'war on terror.' Back in 2006, Paglen and Emerson installed a huge billboard displaying the map of the rendition flights on 6150 Wilshire Boulevard, in Los Angeles. The billboard, part of the The Clockshop Billboard Series. The reaction of the drivers passing by was not an unanimous feeling of revolt in front of the CIA activities, some felt proud and satisfied to see that the government was doing a good job.
Another great project Emerson discussed is the NYC Guide to War Profiteers. First published in March 2003, the map located precisely government and military agencies, weapon makers, corporations, media benefiting from the war, etc. The map was available at progressive bookstores around town, and was distributed at organizing meetings for various protest events. It also listed a series of like-minded websites. You can find a scan of the hard copy online.
Brooke Singer discussed briefly her contribution to An Atlas: the Map of U.S. Oil Fix as well as her fantastic project Superfund365, a website that chronicles 365 of the worst Superfund sites where Americans live at risk of exposure to toxins.
In her introduction about map, Singer reminded the audience of a few relevant facts: - mapping is more about representation than truthfulness,
She showed also two thought-provoking maps that illustrate this idea of maps as representation: McArthur Universal Corrective Map of the World, designed in the '70s by an Australian man who was upset by the idea that he came from the "bottom of the world". The second one is Buckminster Fuller's Dymaxion map, the first world projection to show the continents on a flat surface without visible distortion. The map highlights the fact that the earth is essentially one big island over one ocean. |
|
Sunday at Conflux, the art and technology festival for the creative exploration of urban public space, was hot in every sense including (unfortunately for Summer-phobics like me) in the meteorological one. Given both the temperature and his own intrepidness, all my admiration went to Lucas Murgida. Last year, the artist was teaching Conflux participants the handy and delicate art of lock-picking. For this edition of the festival, he built a beautiful wooden cabinet, left it on a sidewalk and hid inside it. Mugida stayed in this torridness, for hours and with just a bottle of water, not revealing himself until a passerby would bring the cabinet to their home.
The name of the performance is 9/10 because Murgida wanted to check what would become of the often-quoted phrase, 'Possession is 9/10 of the law' when private property is placed in a public space. As he wrote: A person is not sure how to look at the object at first, but will usually fall back on the golden rule of U.S. culture (finders keepers, losers weepers) and claim it to be theirs. I am hoping to subvert the "finder's" personal space by claiming it to be my own public space. Saturday wasn't much of an adventure. The cabinet was left in the street, people appeared to be tempted but they left it where it was. Now Sunday was more eventful, the artist and the cabinet got rolled into the storage room of a restaurant. As he had drilled a hole in the cabinet, Lucas was able to take pictures and get an idea of what was going on. The plan was to slip out unnoticed and leave the cabinet to its new owner. Get the details.
Jenny Chowdhury was braving the mellowing heat in her 802.11 Apparel - Wifi Jacket. Part of a line of clothing that reflects wifi strength detected in the wearer's immediate environment, the jacket literally "bring to light" a portion of the invisible radio waves by illuminating five stripes in accordance with the wifi signal strength.
The basic stripes of LEDs are integrated into a flower motif. This design choice associate our natural environment (the flower pattern) with the synthetic one (technology.) More wearable devices were displayed all along the festival: CO2RSET which monitors air quality and tightens or loosens on the body in response to the levels of CO2 in the atmosphere; the Back-to-Back Massager vest which rows of electric massagers are pointed outward in order to massage others; Compli-mum, a kind of armor for women that plays movies and changes its own shape by separating or gathering parts of its construction through the use of microcontroller and a motorized skeleton structure and a very fetching Helmet Piece which i'm inconsolable to have missed.
Another work i missed because i was so busy passing the microphone to the public for a Q&A of the panel i curated for Conflux (more about that soon-ish), is The Light Mobs which showed participants how to use a simple little mirror (the pocket Lightcoder) and sunlight to transmit information. But lucky me! i met Geraldine Juarez the day after and she gave me one of the Lightcoders to morse around and lucky us! she documented the action online. The project had a very praiseworthy goal: to bring attention to our blind faith in digital technology as a medium of communication, using a simple analog "device": the pocket Lightcoder.
I finally did a Botanicalls tour in which plants guide you by telephone in the area surrounding Conflux HQ. Each tree or plant, speaks in their own "Botanicalls" voice, based on their botanical habits and characteristics. It all started with the arrogant Rose and her ridiculous French accent (i'm allowed to write that cuz i gave her my voice) and ended with heart-breaking cries for help coming from the kitchen of a vegetarian restaurant.
|
|
The documentation of the Satellite Voyeurism Workshop, which took place last Summer at HMKV in Dortmund, is online as a PDF download (hi-res and low-res.)
The workshop addressed questions of the production and consumption of satellite imagery. Discussing the success of Google Earth and similar software, artists aimed to create their 'own' satellite images. The participants were provided with the hands-on experience to receive satellite images from the NOAA satellites, which is documented in this publication. The workshop was great and extremely insightful. The least one could say about my contribution to the document is that is extremely minimal but the rest is well worth your sunny afternoon my friends. |
|
The largest part of the pharmaceuticals and chemicals we take go through our bodies and eventually end up in waste water. As water and waste treatment plants haven't been designed to filter them, the content of our medicine cabinets are eventually passed into the water supply. In London, tap water comes from surface water which implies that traces of our medicine can end up in our drinking water. This results in local differences in tap water, based on the food and drugs we ingest. Tuur van Balen, one of the graduates of Design Interactions at the RCA, decided to explore this issue in a project which imho had the perfect balance between speculation and solid anchorage into reality.
The way people live and behave in each zone of London can be reflected in the quality of the tap water. Tap water in London Notting Hill very probably benefits from the high density of organic shops found in the area. Tap water in the city of London is presumably enhanced with all kinds of stimulants, from caffeine-rich drinks to cocaine. Golders Green which houses an important Jewish community can be expected to 'produce' a very fertile water due to the low concentration of people taking anti-conception pills.
Back in January, at the opening of the department work in progress show, Tuur presented My City = My Body, the first chapter of this research into future biological interactions with the city and more precisely into how the increasing understanding of our DNA and the rise of bio-technologies will change the way we interact with each other and our urban environment. He offered tap water to the visitors of the show and asked them to donate a urine sample along with their postcode. The samples, their biological information and postcodes were then added to a map of London which reveals potential local city-body ecologies or biotopes. The mapping of tap water creates separate territories within the city. Could these areas be the biological counterpart of gated communities?
The next step is a website which helps London inhabitants describe, speculate on, map and share what they think are the unique characteristics of their tap water. The map thus created reveals potential local city-body ecologies, or biotopes. The system will also generate a custom-made label which you can download if you want to sell your own tap water.
That's what the designer did. He went to the hip and organic-addicts frequented Broadway market in Hackney to set up a stall, offer people to "buy" bottles of tap waters, branded with the London area they came from and engage in a discussion about the possibility of new urban biotopes.
You can find various websites which details the quality of various tap waters. But most of the systems employed to analyze water do not check for say, anti-depressant substances or cocaine. What if biotechnology could provide us with cheap detectors?
With the help of bioengineer James Chappell, Imperial College, Tuur developed the concept for a Urban Biogeography tool. The instrument would enable anyone to study the distribution of urban biodiversity over space and time by monitoring sewage. With the tool, a tiny amount of sewage can be pumped up and scaned for different pharmaceutical and chemical traces, without having to lift a manhole cover.
Using synthetic biology and in particular the biobricks tools, bacteria are programmed to become cheap biosensors. The bacteria-sensors, housed in the small transparent compartments, change colour when oestrogen, antibiotics, Viagra or Prozac are detected in the water. Since synthetic biology is both open source and modular, this instrument can be redesigned to detect other chemicals by any Urban Biogeographer, even amateurs as the technology is becoming increasingly accessible. The set of data thus obtained can be used to influence healthcare or property prices in the area, that of course would be the ideal scenario... All images courtesy of Tuur van Balen. Related: 24c3: Programming DNA - A 2-bit language for engineering biology, Designer Microbes. |
|
I'm back from Asturias which was as lovely as ever. We even had real vegetable to eat this time. The LAboral Art and Industrial Creation Centre in Gijón was opening Banquete_nodos y redes, Interactions Between Art, Science, Technology and Society in Spain's Digital Culture, an exhibition initiated by Karin Ohlenschläger and Luis Rico.
The press conference started with a string of surprising figures listed by LABoral's Director Rosina Gómez-Baeza Tinturé. In its 14 months of activity, the centre -which has given itself the mission to foster the interaction between art, society and technology- has hosted the work of 261 creators (45 of them come from the region of Asturias), 54 workshops given by some 90 teachers to more than 3000 participants. Add to that many concerts, conferences, debates and other activities. Amazing, even for a space that covers more than 14.000 m². Which reminds me that it would be good to come back one day on the design and architecture of the centre. The public bathrooms only are worth the visit, i feel like stepping inside 2001: A Space Odyssey each time i enter there.
Banquete_nodos y redes presents more than 30 digital and interactive works that critically and creatively explore the notion of Network as a shared matrix, not just from a technological perspective but also from a socio-cultural perspective. I'll be back with a lengthier overview of the exhibition and a small interview with its curator, the art critic Karin Ohlenschläger, later on but right now i wanted to share with you one of the best projects i saw in Gijón last week.
You've probably read about Clara Boj and Diego Diaz before, either in some media art catalog or on this blog, i interviewed them a few months ago about their project AR Magic System, their Lalalab studio and their interest for the visualization of wifi networks. For the LABoral exhibition, the Valencia-based duo developed a sightseeing telescope named Observatorio (Observatory). Observatorio builds upon Boj and DIaz' 2004 project Red Libre Red Visible (Free Network, Visible Network) which was born in an optimistic time when it seemed possible to achieve an utopia made of wireless, open communication networks managed by social groups offering services to the local community. At that (not so distant) time, several city governments offered free access to the WiFi network, sometimes in the entire city. The CMT (Telecommunications Market Commission) denounced those city governments for unfair competition with telecom companies, the free wifi municipal projects were canceled, and grassroot groups started installing, maintaining and extending open WiFi networks throughout Spain. Today, some companies have adopted new tactics based on the deceptive slogan "Share your WiFi". Companies like FON, and commercial projects such as Whisher and Wefi exploit the current infrastructure of access nodes to the Internet in urban space to provide coverage to the whole city if it were an open, shared structure.
Obervatorio reflects on this scenario by informing viewers about the current state of wireless networks located in the area where the device is installed. The sightseeing telescope, installed on the Laboral tower, tracks and shows where Gijon's wifi networks are located in real time. You can visualize them on the screen of the telescope, swing it around and see which areas have a denser wifi coverage, and get additional data such as which ones among these networks are open or private. Because Observatorio is programmed to try and connect to any open network available in the area, it can send the information from the observation tower to the exhibition hall, where it is displayed on a big screen. If there is no open networks detected in the area, Observatorio remains separated from the main exhibition space, located in another building. A modification of these networks is also offered, showing an ideal configuration in which the local residents of large areas in the city could gain or share access to it.
After having installed Observatorio, the artists discovered many more open nodes than they expected. While testing the project at their studio in Valencia, they couldn't find more than 5% of open networks. In Gijón the percentage is higher, around 30% in the LABoral area. From the tower Observatorio can reach theoretically almost the whole city of Gijón. The device comprises a high power uni-directional WiFi antenna with a 30º aperture, able to detect wireless networks within 1 to 4 kilometers depending on the number of obstacles encountered; a video surveillance camera with a telephoto lens with the same aperture as the WiFi antenna; and a viewer which, like a periscope, offers a real time image taken by the camera, with the WiFi networks detected by the antenna placed geographically on it. Banquete_nodos y redes runs at LAboral Art and Industrial Creation Centre in Gijón, Spain, until November, 03, 2008. The exhibition will then travel to the ZKM | Center for Art and Media in Karlsruhe, March-July 2009. More sightseeing telescope: The timetravel telescope, the Jurascope and the Elastic time and space telescope. Also related: Wifi Camera Obscura. |
