Cybernetic Serendipity
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Ars Electronica will be 26 years old this Summer. And while i see that more and more (too many?) festivals and events about new media/electronic/digital art are created all over Europe, i've sometimes wondered what was being done before ars electronica to introduce the public to the dialogue between art and electronics. This morning i stumbled upon a mention of a show organised in 1968 at the Institute of Contemporary Art on London by Jasia Reichardt. Cybernetic Serendipity was one of the first exhibitions of computer art and digital installations.
The show was divided into three major sections: - 1. computer generated graphics, computer animated films, computer composed and played music, and computer verse and texts. With works like Sine-curve man by Charles Csuri and James Schaffer or early movies by John Withney. - 2. machines such as a Jean Tinguely's Metamatic that produced a picture every hour or so. There was also Nam-June Paik's Robot-456, the first non-human action artist, it walked around the exhibition and occasionally peed. Bruce Lacey (you might remember his Womaniser) was showing Rosa Bosom and her mate (Mate). Rosa had a large pair of lips that she thrust at unsuspecting visitors. SAM, Sound Activated Mobile, by Edward Ihnatowicz, responded to quiet sounds. If you whispered, the flower-shape ear would turn towards you and bend as if to listen.
- 3. machines demonstrating the uses of computers, such as IBM computers used for making airline bookings! Jasia Reichardt later said that "People were looking at images like those of the engineer, William Fetter of the Boeing Corporation in the same way that they looked at images in an art exhibition." I don't know what i'd pay to be able to step in the time machine and visit the exhibition. Computer/electronic/new media art is still in its infancy and something tells me that not that much has changed since 1968. Via Autonomous Mutations. More information about the show in Mediakunstnetz, Mind the gap, Stuttgart 1960, Parliaments of Art, PDF. |
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Hi Régine,
I've loved this post. Jasia were here in Brazil and made two wonderful lectures. Emoção Art.ficial 3.0 is not a reenactment of Cybernetic Serendipity; it is homage.
Cheers,
Kuja
hi,
i know, i know. i never suspected you'd copy or try to reenact Cybernetic Serendipity. Looks like Emoçao was an awesome event. really sorry i couldn't attend. take care,
r
Hey Regine
Great post. We've got a copy of the book published for Cybernetic Serendipity at Usman Haque's Office which I always stick my head into when I get a chance. Pre-Internet electro-digital-interactive-art seems to find itself under-published online. If I wasn't so busy I'd love to search out many more of the early artists involved in this field. Makes me think I should blog a little bit more of the old school.
cheers for posting my angels project a few weeks ago
keep up the good work
hello,
thank you for reminding us of this landmark. i did a reblog.
i suggest a link to an audio conference of Jasia Reichardt here: http://radio.sztaki.hu/node/get.php/666pr588
also i read a very good essay on the subjet by British literary theorist (late) Eric Mottram. it is difficult to find, but worth it:
Eric Mottram, "The Triumph of the Mobile: The Structure of Information, the Language of Computers and Contemporary Poetry", in Intrepid # 23/24, ed. by Allen De Loach Summer/Fall 1972, Buffalo, NY
a quote: "Computer theory can help us to understand the nature of information chosen for an environment - with whatever operations of control and randomness. [...] Poems often have as their subject the very nature of control as beauty. The poetic choice [...] is personal, even temperamental: to risk absolute communication or take the risks of extreme control" p.14