Seven Days Hotel

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Bring me home, please

There's a fantastic exhibition by Fabien Verschaere at the Musée d'Art Contemporain in Lyon until 29th April.

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Born in 1975, Verschaeren has spent very long periods of his childhood in hospitals due to some mysterious disease. That's where he started drawing his first pictures and developed a very poetic mental universe that allowed him to go beyond the daemons of his illness.

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For the project Seven Days Hotel, Verschaere has transformed the first floor of the museum into a hotel. The reception is bathed in red light, monsters, ghosts and witches are painted on the walls... Welcome to a space where you're going to constantly shift between dream and nightmare! The walls of the hotel 7 rooms are painted in black and red and the light is a bit dim. Each room is tracing the initiating journey taken by a sick child to face the world.

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In room one, there's a bearded man, sitting on his hospital bed, while a little train is turning on the floor; elsewhere dozens of little ceramic fairy creatures fligh above your head and the one of an angel who seems to be absorbed in prayers; here the curtains are moving and the big head of a devil is uttering words you cannot understand; the walls of another room are covered with bones, each of them "wearing" a watch, etc. Everywhere there are evil looking creatures (even Batman and Mickey Mouse look nasty), but also princesses and characters that look like the artist himself. You're never sure whether these figures you meet are threatening you or just captive of the hotel (maybe both).

The soundtrack of this journey into horror and awe is by Liquid Architecture. The rock band has composed 7 tracks, they are played loud but not too much and complete the experience in an admirable way.

Once you've closed the door on the hotel, you might wonder whether you have dreamt or hallucinated. There are two more rooms, there's no music there and the walls are white, they display the preparatory drawings of the exhibition. Some of them are black and white, others are illuminated like manuscripts from the Middle Age.

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I made very few images. Can someone please explain me why you are allowed to make pictures of any exhibition during its opening and are treated like a dangerous criminal when you want to take a photography after the opening party?

More links about Fabien Verschaere: CIAC, Galerie Michel Rein, Parker's Box and on myspace.

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3 Comments:
phooky

Can someone please explain me why you are allowed to make pictures of any exhibition during its opening and are treated like a dangerous criminal when you want to take a photography after the opening party?

Because if you're at the opening party you're considered to be either an artist, and therefore heroic and above reproach, or reasonably wealthy and thus dangerous to offend. If you show up after the opening, you're instead a student, admirer, or other consumer who the rights of the owner must be vigorously defended against. See also: the music industry, the film industry, to a lesser extent the software industry (though happily not the book industry, yet).

Also, everybody knows that taking a photograph steals a soul.

Someone explained this to me after i took some photos at the Tate down in St. Ives. Apparently it's something to do with the copyright of a photographic image being held by the photographer. This leads to various complications if the photo gets published after...

No idea why it doesn't matter at the opening - probably what the previous commentator says...

This sounds like a really good exhibit, I would like to check it out. The concept is great a twisted mad house (Hotel) presented in the form of an art display. The lay out of the exhibit allows the audience to interact with the artwork. The art is not just framed and placed upon the wall; the viewer can walk into the piece itself.

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